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*****Ordinary Self*****
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
Outer Chamber. The Hero et al breach an Outer Chamber.
Guardians of the Inner Chamber prevent the breaching of the Inner Chamber. In [url=http://www.mxitcms.com/abercrombie/]abercrombie[/url] Dances with Wolves (1990), John cannot be seen with Stands with a Fist, as she [url=http://www.jeremyparendt.com/jimmy-choo.php]jimmy choo chaussures[/url] is in mourning. In Raiders of the Lost Ark (1984), Nazi soldiers block [url=http://www.rtnagel.com/louboutin.php]louboutin[/url] the way. In Out [url=http://www.shewyne.com/peutereyoutlet.html]peuterey sito ufficiale[/url] of Africa (1985), bulls block the way.
(simply go to or for full details)
*****Guardians of the Sword*****
It is [url=http://www.fayatindia.com/giuseppe-zanotti.html]giuseppe zanotti[/url] not unusual for the New World of the Transformation to be made explicit and developed before the hero engages in [url=http://www.osterblade.com]moncler outlet[/url] the Trials and Transformation. In Walk the Line (2005), Johnny moves straight from succeeding at the audition to singing in front of a crowd, where he meets June Carter. In Gladiator (2000), Maximus is brought into Proximo's World.
*****Greater Antagonism*****
*****New World of the Transformation*****
Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
THE 188 STAGE HERO'S JOURNEY:
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
The Sword if a metaphor for an Expansion of Consciousness. Taking the Sword is no easy feat. It is at least guarded and rests behind two anti-chambers.
The Greater Antagonism is developed or further made explicit (post Trial 3 and the conquest of the Outer Challenge). The Hero has come a long way but he (as well as the [url=http://www.sandvikfw.net/shopuk.php]hollister outlet sale[/url] audience) are reminded that this has yet to be conquered: In The Matrix (1999), Neo learns about Agent Smith. And that no one has ever beaten an agent in battle. In Gladiator (2000), while Maximus is learning the gladiator art, we learn more about Commodus.
Guardians of the Outer Chamber prevent the Outer Chamber being breached.
The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall [url=http://www.shewyne.com/woolrichoutlet.html]woolrich outlet[/url] (1977) to Lord of the Rings (2003) to Drugstore [url=http://www.jeremyparendt.com/Hollister-b5.php]hollister[/url] Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
Whether the Hero et al arrive from an Ordinary World or arrive through the process of swift Exile, the Ordinary Self must be made explicit. This is because stories are all about Transformation and the Ordinary Self is an initial benchmark. In [url=http://www.shewyne.com/hoganoutlet.html]hogan outlet[/url] Straw Dogs (1971), David is a Mathematician.
THERE IS ONLY ONE STORY
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
c) Gives you a tangible process for building and releasing [url=http://www.gotprintsigns.com/abercrombiepascher/‎]abercrombie pas cher[/url] dissonance (establishing and achieving catharses, [url=http://www.rtnagel.com/louboutin.php]louboutin pas cher[/url] of which there are usually four).
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